So I was pretty high up on a climb on Kid Goat (Blue Bubble) when it occurred to me it’s really hard to capture a real sense of how it feels to be up that high above the valley floor in a photograph.
A vista like this sort of conveys scale (those are tall trees down there, and they don’t look very big). But what is harder to capture is the sense of vertigo when you are actually directly above stuff, like when you are at a hanging belay on the side of a cliff…
So, I took a bunch of reference photos and what I think I’ll try to do is a drawing or painting that exaggerates certain elements of the composition to try to better reflect the feeling of being up there…
Here’s a view of the climb from below, from the approach trail.
Dad has been very helpful, sending me examples of work by people like Sonja Delaunay and Andre Derain, who both used exaggerated colour and perspective to get their point across.
Baker’s Hotel by Andre Derain, 1904
Three Women Dressed Simultaneously by Sonia Delaunay
And then I found this one, also by Sonia…
Color Rhythm by Sonia Delaunay, 1967
Which was a bit odd, because I’d been playing with colour blocks in my notebook just moments before I found her work after following a link sent by Dad…
My blocks are a lot less solid than hers (pastels on textured paper rather than oil paints in Delaunay’s…). And my palette is totally different, of course… but on that front I was inspired by Josef Albers, about whom you will hear more in the days to come as Dad and I have had several Albers conversations and, weirdly enough, he is also featured in a current issue of an art magazine (which I stumbled across online and have now lost again… I’ll retrace my steps and try to post a link when I get back to Albers properly…)
It has been another busy day and I need to go find some grub, have a shower, and take another look at the scenes we’ll be rehearsing tomorrow for the Canmore Summer Theatre Festival’s production of Romeo and Juliet. My creative cup runneth over!!
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