Tag Archives: drawingaday

Romeo and Juliet – Part 1 (39/365)

Pretty much the whole day spent at rehearsals for the Canmore Theatre Festival. I assume you are all coming!! If not, here’s what you will miss… except with music, and dancing, and great hippy costumes, and amazing acting and a TREEHOUSE!! Yes, really.

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With a party and a war, all kind of happening at the same time. Can you say fight choreography? And then, across a crowded room…

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That thing happens between two people… it doesn’t make any sense. The parents think it sucks. But… the line gets crossed. I can’t draw that part because it’s sort of x-rated and this is a more-or-less PG blog.

Did I mention party? Hippies? Yeah, well – drinking, drape-smoking, stabbings can’t be far behind… Uh-oh. Tybalt doesn’t fare too well.

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Romeo takes off… leaving his beloved Juliet behind… This can’t be good.

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Juliet reacts as one might expect and rapidly sinks into a spiralling pit of despair (no idea how to draw one of those…)

So does Romeo… but to see how it all turns out, you’ll need to keep reading the blog (or, come to the real show, which will be in 3-D with actual live actors, even the ones who die… which, in this case, is quite a few of them).

Möbius Madness (32/365)

Well, I have discovered the most obnoxious form on the planet – at least, if one is trying to draw it.

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Based on the recommendation of Sue Vize, author of Botanical Drawing using Graphite and Coloured Pencils, I made myself a Möbius loop and have been trying to draw it. It has not been pretty! My eye thinks it’s following a line along quite nicely, my hand dutifully attempts to follow and this happens…

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And this…

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What the…?

I can actually feel my brain having spasms as it tries to figure out how best to direct the clumsy hand flopping around at the end of my limb…

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The more I try, the worse they get…

 

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Mobius by Charles Hinman, 1965

 

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Mobius by Katsuhito Nishikawa, 1994

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Turned it around…

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Gads. Way harder than it looks like it should be!!

At least you know why today’s blog post is short! I am entangled in a Möbius loop and can’t get out!

From On High… An Idea (25/365)

So I was pretty high up on a climb on Kid Goat (Blue Bubble) when it occurred to me it’s really hard to capture a real sense of how it feels to be up that high above the valley floor in a photograph.

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A vista like this sort of conveys scale (those are tall trees down there, and they don’t look very big). But what is harder to capture is the sense of vertigo when you are actually directly above stuff, like when you are at a hanging belay on the side of a cliff…

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So, I took a bunch of reference photos and what I think I’ll try to do is a drawing or painting that exaggerates certain elements of the composition to try to better reflect the feeling of being up there…

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Here’s a view of the climb from below, from the approach trail.

Dad has been very helpful, sending me examples of work by people like Sonja Delaunay and Andre Derain, who both used exaggerated colour and perspective to get their point across.

 

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Baker’s Hotel by Andre Derain, 1904

 

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Three Women Dressed Simultaneously by Sonia Delaunay

And then I found this one, also by Sonia…

 

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Color Rhythm by Sonia Delaunay, 1967

Which was a bit odd, because I’d been playing with colour blocks in my notebook just moments before I found her work after following a link sent by Dad…

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My blocks are a lot less solid than hers (pastels on textured paper rather than oil paints in Delaunay’s…). And my palette is totally different, of course… but on that front I was inspired by Josef Albers, about whom you will hear more in the days to come as Dad and I have had several Albers conversations and, weirdly enough, he is also featured in a current issue of an art magazine (which I stumbled across online and have now lost again… I’ll retrace my steps and try to post a link when I get back to Albers properly…)

It has been another busy day and I need to go find some grub, have a shower, and take another look at the scenes we’ll be rehearsing tomorrow for the Canmore Summer Theatre Festival’s production of Romeo and Juliet. My creative cup runneth over!!

 

 

 

 

 

All I Had Was Five Minutes and a Green Pen (23/365)

After yesterday’s outpouring about being paranoid about sketching in public (and how I would try to do it more often/ever) I found myself riding my bike home along the creek.

 

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I stopped several times and snapped photos with my phone…

I was about to hop back on my bike and continue home when I remembered how I had this grand plan to a) draw something every day and b) sketch out there in the real world, no matter how intimidating that thought might be.

All kinds of excuses came to mind – I was in a rush to get home, I didn’t have a sketchbook with me, I had no pencil… But then I thought, EXCUSES! and rummaged through what I did have in my bag.

Turns out, it is possible to turn one’s daytimer on its side and use a green pen to do a scribbly sketch.

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There you go. My very first ever en plein air attempt at sketching!

And below, one by the Russian landscape painter, Ivan Shiskin.

 

 

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Sketch for the painting, “Rye” by Ivan Shishkin, 1878

For the moment, that’s all – I have to rush off and get ready for something else I’ve never really done before – my singing lesson! Seems like I’m having some kind of midlife creative crisis over here!