Tag Archives: Art

This Month, it’s All About Trees

There is nothing like a deadline to inspire a burst of creative energy! My newest book (co-written with my daughter, Dani) has just come out and we are busy planning a cool book launch, hopefully in partnership with the kids at Shoreline School (stay tuned – more on that as the plans come together).

New book!! It was cool to work on a project like this with daughter, Dani...

New book!! It was cool to work on a project like this with daughter, Dani…More info here

Meanwhile, though, the next book (also in the Footprints series) is well underway. The subject of the book is trees, which means I’ve been driving friends and family mad recently by babbling on and on and on about baobabs and canopy scientists, corduroy roads and carbon sinks. In some kind of self-defense move, Dad piped up the other day and told me he was doing a tree-a-day drawing challenge. “Remember how you used to do that blog a day thing?” he asked pointedly. “Like that.”

Okay, okay – it has been BUSY around here this summer, too busy, apparently, for me to sit at the computer and blog on a regular basis. Well, at all, in fact. But here we are with the seasons shifting once again. The evenings are longer and there is hope that I can find some inside time to get to projects like the blog.

Trees herald the change of seasons with such... intensity!

Trees herald the change of seasons with such… intensity!

Given that I am obsessing about trees anyway, Dad suggested I write a little something about the trees he is capturing on paper. Which seemed like an excellent idea until I saw that his first subject was a Garry Oak. “They are so gnarly – all those twisty branches,” Dad explained when I asked why he had picked the Garry Oak as his first subject for the series.

Garry Oak Trees by E. Colin Williams (drawing)Garry Oak Trees by E. Colin Williams (drawing)

To an artist I guess twisty and gnarly equals interesting and challenging to draw, but I must confess that Garry Oaks are some of my least favourite trees! (Sorry, sorry to the Garry Oak lovers out there – and, no – it absolutely was not I who poisoned Margaret’s lovely old tree – THAT tree is special… and, yes – there are maniacs out there who go about drilling holes into the roots of gnarly old trees all the better to inject them with tree-murdering toxins! Note to self: subject for a future post…silvacide.)

Garry Oak ecosystems are fragile and rare, so much so that there are armies of volunteers out there who are working diligently to preserve the trees and their immediate surroundings [for more information on this work, visit this website and have a look at the amazing resources they have made available]. Garry Oaks (Oregon White Oaks) live in western North America close to the Pacific Ocean. Their range is limited and threatened by urban and agricultural development and linked to a whole community of native species threatened by all manner of invasive species like Scotch broom and Himalayan blackberry. Given my propensity for cheering for the underdog, it’s a bit surprising I don’t know more about them. Hm. I sense a shift in attitude is already in progress…

What about you? Do you have a favourite kind of tree? A least favourite? What is it about some trees that makes them so appealing? Or, unappealing as the case may be…

 

Selfie Meets Hurricane Ethel – Artist vs Farmer

Selfie - brown sweater

I was considering posting more snow photos (maybe we’ve all seen enough of those? And besides, our snowlettte hardly counts… ) or a dreadfully wobbly video of me chopping through the ice on the horse trough in the pitch darkness (you have no idea how hard it is to hold the phone steady and not drop it in the icy water, point the headlamp more or less in the correct direction so the axe head is illuminated, and then chop effectively… The sound effects are good, but the video – not so much). I still haven’t got around to writing up my notes from the Deconstructing Dinner talk last week (was going to do that but then reached for my purse, into which I had stuffed my scrawled scribblings, when I realized my purse is down in the truck cab…) And then I remembered that this week’s photo challenge is none other than the Selfie!!

Regulars here will know this one had my name all over it, given my recent obsession with selfies and the deeper meaning thereof… Here’s a link to the post that talked about self portraits, artists and their interpretation of selfies, and a few of mine… And here’ s a link to the [very] recent post about how my felfie (a selfie by a farmer) won some market bucks at the local community market… I kind of like that one because the chicken looks so stern and regal and I don’t typically think of chickens as looking either stern or regal…

Dad and I have continued to talk about this strange thing artists (and now every Tom, Dick, and Harriet with a phone) have with self portraits… One of the things Dad mentioned was how important it is to get the eyes right – and how challenging that can be. If you can capture that whatever-it-is that makes the eyes seem alive, you have half a chance of creating an image that makes an impression.

Alas, his comment about how hard it is to get the eyes right caught me in a goofy, ‘what else can I do with google’s image toys?’ frame of mind and I came up with this:

Face twitch-MOTIONThen I thought I should settle down and try to do something more serious and took this one:

Closed eye selfie

Every time I added another filter it added forty years or so, which was a tad depressing. I mean, I feel pretty tired at the end of some days, but some of these were rather alarming…

Selfie old

What I would look like if I were 87, lived in the desert, and had just heard my favourite goat had died while giving birth to triplets. Where on earth will I find the milk to raise the babies?

Meanwhile, Dad was in his studio obsessing about eyes. A while back he had done a self portrait in shades of grey:

Self portrait [E. Colin Williams]

Self portrait [E. Colin Williams]

Dad photographed one of his eyes from the painting:

ECW Self Portrait - Eye… printed it out at a scarily larger than life size… And then, he spiralled down into that eye and recalled a story from September 1960 when he and my mother were travelling together through Florida. They were holed up in a tiny rustic cabin which, apparently, was full of holes and very drafty when Hurricane Ethel struck the Florida panhandle. This could have been a scary story, but instead it was more one of those bizarre nightmare scenarios that one comes up with in… you know… nightmares.

Dad and a friend (a B-52 bomber mechanic) had completely taken apart the transmission of Mom and Dad’s 1956 Packard. Every last tiny bit had been spread out on a tarp on the floor of the cabin in accordance with the exploded drawing in the manual. Every piece had been cleaned and oiled and checked over, lined up and was ready for reassembly when Ethel rolled ashore bringing with her a gazillion bits of girt and sand and dirt and dust which blasted through the many cracks in the walls and around the door and windows, nicely coating the many delicate parts of said transmission. Dad said they hoped Ethel would carry off the car so they could write it off but no such luck. They spent the next who knows how long cleaning off every speck of crud before the transmission could be put back together again.

This made a huge impression on my parents as this was one of those stories we heard over the dinner table at various points as we were growing up… The image of that storm still, apparently, haunts Dad as this is where he went from the close-up of his eye:

Ethel Comes to Town

Which, when you compare it to the original eyeball

E. Colin Williams - eye detailmakes one realize just how aptly the eye of the storm is named…

Artist vs Farmer

Artist: What are you doing?

Farmer: Photographing a rutabaga.

Artist: Cattle feed.

Later…

A rutabaga and a turnip disappear into an artist’s studio (which sounds like the start to a terrible joke but is actually what happened some time after Dad saw me taking photographs of root vegetables for yesterday’s blog post…). What came out of the studio was these two drawings:

Which goes to show you don’t need to wait for inspiration to show up in order to start drawing – you just need a couple of vegetables.

Seeing the two drawings, though, made me think of how easy it is to take a photograph and how hard it is to capture the essence of a thing. Somehow, artwork created by hand still has a fundamentally different feel to it than a photograph in terms of the way it captures the subject matter at hand.

I hasten to add that taking a good photograph isn’t easy at all and taking an exceptional image – well, one can wait a lifetime and still not capture the ultimate shot. But taking the time to sit down and craft by hand the likeness of something – that is, I think, a skill that we shouldn’t forget about or dismiss just because it has become so easy to capture visual data. I can’t put my finger on it, but there is some quality inherent in these sketches that is lacking in my photos posted yesterday. Running my photos through any number of tricky filters isn’t going to help. I feel very fortunate to live with an artist who has a studio full of brushes and paints and pencils and pens with nibs and bottles of ink… It never ceases to amaze me how Dad and I see and interpret the world differently, even when we are both looking at exactly the same thing.

Inspiration is everywhere – meet Bill

Bill is our Light Brahma rooster, a fine protector of hens and father of a lovely crop of pullets and cockerels, the latter who have been gracing our table over the past few weeks. Bill is also handsome, a trait which Dad captured perfectly in this portrait. Dad’s website has more samples of his work, if you are curious about what he does.

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