Mountain and River by E. Colin Williams. Yes, I’m lucky enough to live inside a landscape that looks a lot like this painting done by my father.
Growing up I looked at a lot of landscapes – not just the ones we lived in and drove through but also the ones my father painted and my mother photographed. In a way, I got to see everything at least twice – once as a fleeting impression as I moved through the landscape and again, later after it had been filtered and transformed on its way to becoming a painting or a photograph.
Maybe because of that I love seeing how artists interpret the world we live in, how they try to capture the essence of a place on a two-dimensional surface.
Leonardo (da Vinci) is not the first artist that jumps to my mind when I think of landscape painters. This painting is called Bird’s Eye View of Sea Coast and was painted in 1515. I find it fascinating because it feels quite abstract and clean in its execution, features the strangest composition, and shows the world from a perspective Leonardo could not have experienced firsthand. It’s a strange blend of cartography, art, and imagination.
Lautrec painted lots of outdoorsy scenes, but generally they include people, horses, or both… This is very different to my father’s paintings which rarely included humans, birds or animals. Until recently, that is, when Dad has been exploring subjects he spent little time with earlier in his career (a topic I’ll explore in more depth in a later post).
Fishing Boat by Henri de Toulouse-Lautrec, 1880
In the literary arts department, Jack London had a gift for capturing the landscape on the page. The Call of the Wild certainly evokes the brutality of the Yukon and the impact the landscape has on its inhabitants.
Jack London was not the only one inspired by images of the frozen north. The Russian painter Nicholas Roerich often turned to the mountains in winter for inspiration. This is Snowy Lift (1924), by Nicholas Roerich
Here’s Roy Lichtenstein’s take on the northern landscape. Arctic Landscape, 1964
L. S. Lowry’s dull as mud colours were typical of his early landscapes, this one from 1910. Though it’s titled Clifton Junction, Morning this hardly screams ‘morning light’ to me.
Compare Lowry’s somber morning with this exuberant sunburst by van Gogh. Enclosed Field with Rising Sun, 1889.
And, finally, here’s a landscape by Georgia O’Keeffe… It may be abstract, but I can still see the landscape in the colours and natural forms.
From the Lake, 1924 by Georgia O’Keeffe
Today I was priviledged to watch the amazing photographer Amy Liu at work. She was taking some photos of Ally Lacentra, super-talented young actor (and my step-daughter who, as luck would have it, has an abundance of Ls in her name).
Amy and Ally at work – I felt bad for them as it was brisk outside today! Poor Ally had to try and look relaxed even when the chilly spring breeze blew down from the mountains!
One of the many gorgeous shots Amy Liu captured during the shoot today. Lovely!
And on that note, off I go to get back to work on the current work in progress. Let me know in the comments below if you have a favourite landscape painter…
Catch you later!
darkcreekfarmdotcom 