Tag Archives: Art

O is for Opportunity, Outlines, Opening and Getting Organized

 

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Typewriter Eraser, Scale X  (collaboration with van Bruggen) by Claes Oldenburg (1999)
This is one of my favourite sculptures in Seattle. A huge typewriter eraser, it brings back memories of the bad old days when I had to retype whole pages when faced with more than two mistakes. Those erasers chewed holes in the page if you weren’t careful!

 

OK. Whether or not I get this post done will be in the hands of the blog gods… because, yeah – I’m not as organized as I probably should have been today. Both of my writing groups meet today – one in the afternoon and one in the evening and, of course, I’m scrambling to polish the opening of the assisted dying book to whip it into reasonable shape so I can get some feedback. That’s how it goes, sometimes. Often, if I’m honest. The deadline looms and suddenly I am a writing machine.

Which is not to say I haven’t been working on the book for the last… oh, I don’t know – 18 months or so. I have been steadily busy – reading, researching, making notes – organizing my thoughts, writing outlines, writing sections and then – making more notes, re-organizing everything, adding more stuff, finding better ways to express complicated ideas.

But there’s something about knowing the editor needs the manuscript on her desk on May 1 that sends terror into my heart, lights a fire under my backside, and sends words flying across the keyboard (or, fingers flying across the keyboard and words scrolling across the screen).

 

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Sometimes it’s a real challenge to follow my thoughts as they zig-zag all over the place during the revision process…  

 

It’s coming along. I will get the draft done on time. But wow – this has been a tough project to wrangle into shape. That said, when I had the opportunity to explore a topic as interesting and relevant as this one, there was no way I was going to let it slip away. In that way, I am a ‘yes’ person through and through. I’ve never been one to walk away from a challenge. That’s not to say I’ve always been successful with every project I’ve attempted: failures have taught me as much (more?) than my triumphs. But neither (successes or flops) would have been possible without trying.

 

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Edouard Manet: Young Woman With a Book (1875) It’s sooooo much more fun to relax and read a good book than it is to pull out your hair trying to write one… 

 

And that, my friends, is all I’ve got today. Here’s hoping things will be a bit better balanced tomorrow and I won’t be writing this with one eye on the clock and my heart beating just a bit too fast than is probably good for me.

 

 

N is for Ned (Kelly), (Sidney) Nolan, and Notoriety​

 

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Ned Kelly in 1880

 

Nobody needs to keep moving quite like an outlaw, a fugitive on the run, a criminal on the lam… Where am I going with this? Keep in mind that this month my theme is On the Move: Travel, Transitions, and Transformation, so all my posts should, theoretically, somehow relate. And, if you’ve been following along, many of the posts have wound up having some connection to art as well, art being the ultimate means of transforming real life into something… else. Oh boy, that thought is heading fast in the direction of musing about the question, What is art? [If you feel like you might have an answer, please feel free to post your thoughts down in the comments below…]

Meanwhile, however, Ned Kelly comes to mind. Ned was one of a handful of iconic figures I was aware of as a child growing up in Australia. The swagman (of once a jolly fame) and Skippy the Bush Kangaroo were a couple of others… Ned, though, he was a guy who got my mother’s goat. Why? she ranted, would people admire a common criminal? “He was nothing but a hoodlum!” That may have been true, but good old Ned, who came by his dastardly ways honestly (his father was a convict) ignited something in Australia’s collective imagination. His early misdeeds mostly involved stealing horses and a bit of cattle rustling, but he and his gang later upped the ante by robbing banks and killing police officers. It all ended badly, of course – Kelly survived a wild shootout (many others didn’t), but was then tried, convicted and hanged.

 

the-trial-1947 Ned Kelly series by Sidney Nolan

Sidney Nolan’s The Trial (1947) is one of many paintings depicting scenes inspired by Ned Kelly’s life. 

 

His story, though, lives on in art, film, music and literature.

 

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Ned Kelly survived multiple gunshots because he was wearing this armour under his long Aussie coat. Love him or hate him, you have to admit he was ingenious… 

 

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Armoured Helmet by Sidney Nolan, 1956 – In this intriguing painting, it seems like Nolan is trying to capture the view from the inside of the helmet. some aspect of the wearer’s face (Ned? is that you?) and the helmet as seen from afar…

 

 

I’ll leave you with this final factoid… Did you know Mick Jagger played Ned in the film Ned Kelly (1970)? I had no idea, but I’m thinking I need to track down a copy…

See you tomorrow…

World Art Day – and Week Two Recap (#AtoZChallenge2018)

According to my source (thanks, Dad!) today is World Art Day! Given that Dad was the first artist I met (and certainly the one I’ve known for the longest), here’s a black and white photo of an early painting from Australia.

 

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The Rocks by E. Colin Williams – not sure of the date – 1967ish?

 

This is an old area of Sydney – here’s a link to the Wikipedia page about The Rocks, now a touristy destination while still preserving some of the flavour of this historic district.

All these many years later, Dad is still going strong, still painting, still exploring new subjects, materials and techniques. Yes, he’s my father so I’m a bit biased, but I find him inspiring and love getting texts each day with updates from the studio. I never know what to expect and it’s so cool to be able to see paintings as they progress from the roughest of sketches to finished works.

 

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Self Portrait, 2015 E. Colin Williams Unfortunately, this photo isn’t really sharp, but it’s kind of fun to see the artist posing with the artist…

 

Hmm… I’ve been enjoying the daily blogging challenge this month – maybe I’ll continue for another month and just blog daily about Dad’s projects. He’s got lots on the go at the moment – then you could all see the cool stuff I get to see arriving on my phone each day…

I will chew on that between now and the end of April … Let me know in the comments if you’d be interested in an ECW Art-themed month of blog posts starting in May.

Meanwhile, here are links to this past week’s blog posts:

Day 9 – H is for Home

Day 10 – I is for Ice

Day 11- J is for Jumping Jehosephat (and a BUNCH of other fun J words)

Day 12 – K is for Kisses, Klimt and Kerouac

Day 13 – L is for Landscape, Leonardo, Liu, Lowery, Lichtenstein and Lots more…

Day 14 – M is for Mary, Mountain (but not Montmartre)

See you tomorrow when we return to our regularly scheduled alphabet… Thanks for reading!

 

 

 

 

M is for Mountains and Mary (but not Montmartre)

 

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Mary Vaux – mountain-lover and subject of a one-woman show performed by Shirley Truscott

 

Last night we headed out to see A Portait of Mary Vaux at ArtsPlace. A mountaineer before women were allowed to be mountaineers (and, really, being forced to tackle glacier travel in long, heavy wool skirts hardly made scrambling around in the Rockies any easier), Mary left quite a legacy of mountain writing, botanical drawings, photographs and precise scientific records of glaciers on the move.

 

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In 1887 Mary Morris Vaux Wolcott got serious about climbing. She was the first woman to reach the summit of Mount Stephen (10,495 ft)

 

 

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Balsamorhiza sagittata(arrowleaf balsamroot) This painting of Balsamorhiza sagittata (arrowleaf balsamroot) was done by Mary Vaux.

 

Listening to Mary’s words written long ago reminded me just how lucky I am to live here. Poor Mary had to travel from Philadelphia whenever she needed a mountain fix!

 

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The mountains were in a strange mood today – uncertain whether to welcome spring or hang onto winter for a little longer. I meandered into town, my headphones in, listening to music. Last night’s performance was accompanied by the cellist, Elizabeth Sorochan and this reminded me just how much I love the cello. As a matter of fact, I’m listening to 2Cellos right now… The music certainly suits the mood of the day…

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The mountains might have been misty, but the ice has mostly melted in the valley bottom.

 

Occasional snowflakes flitted around as I wandered, lost in a mix of musing and meditation. Mellow. Mmmmm….

I had plans to write about Montmartre and some Malers (Maler being the German word for painter…). There are plenty of German artists to pick from, but I think most will have to wait for another day…

In keeping with the theme of women artists, botany, and the letter M, I’ll finish up with this one by Maria Sibylla Merian.

 

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Pineapple and Cockroaches by Maria Sibylla Merian (1705)

 

See you tomorrow!

L is for Landscape, Leonardo, Liu, Lowry, Lichtenstein and Lots more…

 

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Mountain and River by E. Colin Williams. Yes, I’m lucky enough to live inside a landscape that looks a lot like this painting done by my father. 

Growing up I looked at a lot of landscapes – not just the ones we lived in and drove through but also the ones my father painted and my mother photographed. In a way, I got to see everything at least twice – once as a fleeting impression as I moved through the landscape and again, later after it had been filtered and transformed on its way to becoming a painting or a photograph.

Maybe because of that I love seeing how artists interpret the world we live in, how they try to capture the essence of a place on a two-dimensional surface.

 

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Leonardo (da Vinci) is not the first artist that jumps to my mind when I think of landscape painters. This painting is called Bird’s Eye View of Sea Coast and was painted in 1515. I find it fascinating because it feels quite abstract and clean in its execution, features the strangest composition, and shows the world from a perspective Leonardo could not have experienced firsthand. It’s a strange blend of cartography, art, and imagination. 

 

 

Lautrec painted lots of outdoorsy scenes, but generally they include people, horses, or both… This is very different to my father’s paintings which rarely included humans, birds or animals. Until recently, that is, when Dad has been exploring subjects he spent little time with earlier in his career (a topic I’ll explore in more depth in a later post).

 

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Fishing Boat by Henri de Toulouse-Lautrec, 1880

 

In the literary arts department, Jack London had a gift for capturing the landscape on the page. The Call of the Wild certainly evokes the brutality of the Yukon and the impact the landscape has on its inhabitants.

 

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Jack London was not the only one inspired by images of the frozen north. The Russian painter Nicholas Roerich often turned to the mountains in winter for inspiration. This is Snowy Lift (1924), by Nicholas Roerich

 

 

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Here’s Roy Lichtenstein’s take on the northern landscape. Arctic Landscape, 1964

 

 

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L. S. Lowry’s dull as mud colours were typical of his early landscapes, this one from 1910. Though it’s titled Clifton Junction, Morning this hardly screams ‘morning light’ to me. 

 

 

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Compare Lowry’s somber morning with this exuberant sunburst by van Gogh. Enclosed Field with Rising Sun, 1889. 

 

And, finally, here’s a landscape by Georgia O’Keeffe… It may be abstract, but I can still see the landscape in the colours and natural forms.

 

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From the Lake, 1924 by Georgia O’Keeffe

 

Today I was priviledged to watch the amazing photographer Amy Liu at work. She was taking some photos of Ally Lacentra, super-talented young actor (and my step-daughter who, as luck would have it, has an abundance of Ls in her name).

 

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Amy and Ally at work – I felt bad for them as it was brisk outside today! Poor Ally had to try and look relaxed even when the chilly spring breeze blew down from the mountains! 

 

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One of the many gorgeous shots Amy Liu captured during the shoot today. Lovely!

 

 

And on that note, off I go to get back to work on the current work in progress. Let me know in the comments below if you have a favourite landscape painter…

Catch you later!